In this fascinating journey across centuries, Amino Yoshihiko, the premier historian of medieval Japan, invites us to rethink everything we thought we knew about Japanese history. From reconsidering the roles of outcastes and outlaws, to the provenance of "Japan (Nihon)," to the very meaning of writing, Amino offers a powerful critique of the conventional wisdom about Japan's p...(展开全部)

在线阅读本书 History means many things to many people. But finding an answer to the question 'What is history?' is a task few feel equipped to answer nowadays. And yet, at the same time, history has never been more popular - whether in the press, on the television or at the movies. In understanding our present it seems we cannot escape the past. So if you want to explore this tantal...(展开全部)

凱斯．詹京斯 （Keith Jenkins） 英國史學家。曾任教於西蘇薩克斯高等教育暨史學方法研究院，現任齊切斯特研究所歷史高級講師，及研究所教育資格檢定（PGCE）史學方法導師。致力於後現代主義史學觀念的探討及歷史教育的發展。 著有《後現代歷史學－從卡耳和艾爾頓到羅逖與懷特》（ON「WHAT IS HISTORY」：From Carr and Elton to Rorty and White）等書。

在线阅读本书 History means many things to many people. But finding an answer to the question 'What is history?' is a task few feel equipped to answer nowadays. And yet, at the same time, history has never been more popular - whether in the press, on the television or at the movies. In understanding our present it seems we cannot escape the past. So if you want to explore this tantal...(展开全部)

凱斯．詹京斯 （Keith Jenkins） 英國史學家。曾任教於西蘇薩克斯高等教育暨史學方法研究院，現任齊切斯特研究所歷史高級講師，及研究所教育資格檢定（PGCE）史學方法導師。致力於後現代主義史學觀念的探討及歷史教育的發展。 著有《後現代歷史學－從卡耳和艾爾頓到羅逖與懷特》（ON「WHAT IS HISTORY」：From Carr and Elton to Rorty and White）等書。

Japanese art, like so many expressions of Japanese culture, is fascinatingly rich in its contrasts and paradoxes. Since the country opened its doors to the outside world in the mid-nineteenth century. Japanese art and culture have enjoyed an immense popularity in the West. When in 1993 renowned scholar Penelope Mason wrote the the first edition of History of Japanese Art, it wa...(展开全部)

In relative terms, intellectual history is currently enjoying a moment of prominence and self-confidence greater than it has known in decades. Yet surprisingly for a field whose practitioners pride themselves on intellectual self-awareness, its star may have risen along with a decline in self-reflection. Few recent theoretical statements have attempted to "justify" intellectual...(展开全部)

In relative terms, intellectual history is currently enjoying a moment of prominence and self-confidence greater than it has known in decades. Yet surprisingly for a field whose practitioners pride themselves on intellectual self-awareness, its star may have risen along with a decline in self-reflection. Few recent theoretical statements have attempted to "justify" intellectual...(展开全部)

Dominick LaCapra calls for a new view of intellectual history—one that will revitalize the importance of reading and interpreting significant texts. In ten essays, he reformulates the problem of the relation between the "great" texts of the Western tradition and their contexts. Seeking to refine "context" into a concept useful to historical research, LaCapra urges intellectual ...(展开全部)

作者 四方田犬彦 (1953- ) ，电影研究者、杂文与随笔作者、诗人。东京大学宗教学专业毕业，后于东大研究生院专攻比较文学。曾任明治学院大学教授，长期讲授电影学课程。目前潜心从事研究与写作。曾任哥伦比亚大学、特拉维夫大学、博洛尼亚大学客座教授、客座研究员。研究与批评涉猎领 域广泛，对文学、电影、漫画、戏剧、美食等文化现象长期关注，笔耕不辍。获伊藤整文学奖、桑原武夫学艺奖、艺术选奖（文部科学大臣奖）等多个奖项。著作140余部，已出版中文译著有：《日本电影100年》（三联书店，2006）、《创新激情：一九八〇年以后的日本电影》（中国电影出版社，2006）、《论可爱》（山东人民出版社，2011）、《日本电影与战后神话》（南京大学出版社，2011）等。 译者 王众一 (1963- )，吉林大学研究生院外语系毕业，获硕士学位。现任日文月刊《人民中国》总编辑。...(展开全部)